A ghost light is a single, temporary lamp left burning on a dark theater stage to serve both practical and superstitious purposes. Practically, it acts as a safety precaution, illuminating hazards like stage edges, holes, or equipment, preventing accidents for those who enter the empty theater. Superstitiously, the light is believed to appease or ward off theater spirits, honoring the tradition and magic of the stage.
Practical Functions
Safety:
It prevents falls and injuries by illuminating the stage, which would otherwise be completely dark and dangerous.
Navigation:
It allows theater personnel to navigate the dark stage safely when they return.
Symbolic Function:
The light also serves as a symbol of the theater's continued life and the eventual return of the cast and crew, even during a closure or pandemic.
For the Spirits:
One belief is that the ghost light guides resident theater ghosts or spirits, keeping them content and happy.
To Ward Off Mischief:
Another idea is that the light keeps away harmful or mischievous spirits who might otherwise cause trouble.
Tradition:
The tradition is a respected part of theater culture, connecting present-day theater people to those of the past.
Origins of the Ghost Light Tradition
While the exact origins are unclear, theories include...
Safety Precautions:
Legends suggest it began as a precaution against accidents, such as an unlucky burglar falling into the orchestra pit.
Placing Gas Lights:
Early forms may have been gas lights kept on to relieve pressure in the gas lines and prevent explosions.
Burglar Deterrent:
Another idea is that it acted as a deterrent to burglars, making it seem as if someone was still in the building.
While the exact origins are unclear, theories include...
Safety Precautions:
Legends suggest it began as a precaution against accidents, such as an unlucky burglar falling into the orchestra pit.
Placing Gas Lights:
Early forms may have been gas lights kept on to relieve pressure in the gas lines and prevent explosions.
Burglar Deterrent:
Another idea is that it acted as a deterrent to burglars, making it seem as if someone was still in the building.
Other superstitions and traditions
Instead of wishing someone good luck, theatrical performers say "break a leg" to tempt fate and avoid actual bad luck.
Whistling backstage:
It is believed to be a jinx to whistle backstage, as it was historically used to signal stagehands cues during scene changes.
It is believed to be a jinx to whistle backstage, as it was historically used to signal stagehands cues during scene changes.
Objects and Items
Peacock feathers:
Peacock feathers are considered bad luck and are not allowed on stage, as the "evil eye" on the feather is thought to bring misfortune.
Mirrors on stage:
Mirrors are believed to interfere with lights or capture negative energy, which can lead to forgotten lines or other disasters.
Real money and jewelry:
It was discouraged to wear "real" jewelry or to carry large amounts of cash in the theatre, as it was believed it could invite theft.
Flowers:
Giving flowers before a show is bad luck, but acceptable after the performance.
Actions and Dress
Costumes:
Wearing blue or green costumes is often considered unlucky, though this can vary by culture.
Shoes on tables:
Placing shoes on a table in a dressing room is a jinx.
Knitting:
Knitting in the wings during a performance is considered bad luck.
Specific Plays
Macbeth:
The name of this play is never spoken in a theatre, with performers referring to it as "the Scottish Play" instead.